Meet Nick

Composer Nick Norton, seated in front of a bright, multicolored wall. Photo by Brandon J. Rolle

Nick Norton makes things out of sound. Electronica.org.uk calls him a “composer and sound artist to be reckoned with,” and Last Day Deaf says his music is “absolutely captivating.”

Born in Los Angeles, Nick grew up going to shows in the Ventura County punk scene, playing guitar and sax in bands, and spending summers on Catalina Island. He went to college for music and political theory at UC San Diego, where he discovered minimalism, noise rock, and avant garde classical music, and to grad school for composition at King’s College, London, and UC Santa Barbara. While earning his PhD Nick assisted electronic music pioneers Clarence Barlow and Curtis Roads with their work and got hooked on using audio technology to make art. During his studies Nick founded the experimental concert series Equal Sound, completing his doctorate with a dissertation titled “Concert Production As Composition.”

Nick was working in live sound when the pandemic hit in 2020. Seeing his friends’ livelihoods suddenly cancelled, he put up a fundraiser with Equal Sound and it went viral. With a team of volunteers, Equal Sound’s Corona Relief Fund raised and distributed over $100,000 to out-of-work musicians.

While the concert industry took time to recover, Nick transitioned to work in sound for film and television and wrote and produced his first full-length album, Music For Sunsets. Mixed by GRAMMY-nominated producer Lewis Pesacov and released on people places records. About it, Foxy Digitalis said, “Music For Sunsets is an expansive sonic treat. There is so much thought and craft in each of these 12 tracks, it’s hard to believe this is only his debut. Within these lively ambient soundscapes, moments are held with care, and the inward searching becomes a beautiful sonic glow. It’s a wonderful record.” Mixed by GRAMMY nominated producer Lewis Pesacov, the album is available on all major platforms and via Nick's bandcamp subscription page.

When he’s not composing or playing, Nick now jumps between working as a music editor in the film industry, engineering concerts and albums, and making music with his friends. Nick is very active in his community—he serves on the Emerging Technology Committee of the Motion Picture Editors Guild, regularly produces projects in support of charitable causes, and teaches music production at Santa Monica College. A student of Zen Buddhism, he enjoys punk rock, cinema, travel, fancy meals, nature, sci-fi, art, dogs, and being in or near the ocean.

Norton EDIT-6

Press Quotes

A composer and sound artist to be reckoned with.

electronica.org.uk

A touch of old school magic, a touch of delight.

Tome To The Weather Machine

Norton’s pieces are visceral sonic haiku which pair modernist sonorities with clever conceptual underpinnings.

NewMusicBox

Guitar noise, on a high plane of sophistication, fit to melt steel beams. When it hits you, it hits you HARD.

A Fool In The Forest

...always on the verge of an intense climax, yet meditative at the same time. It’s ambient/drone music that’s harsh around the edges, but with a hypnotic quality that makes it something much more than its effects.

Treble Zine

Hearing Nick Norton’s crazy piano deconstruction, All the Wrong Notes, was like sticking your head on rattling piano strings as Richard Valittuto banged away.

LA Times

Formidable and powerful, I could easily imagine Mirror Smasher Zero being extended into a much longer minimalist work.... It reminded me, in a very good way, of Lou Reed’s Metal Machine Music in its powerful, gyrating, and relentless sonic attack.

New Classic LA

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